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| ʺA dźwięki naszych bębnów rozpętują nawałnicę istnieniaʺ, czyli Wystawa która się odbyła... |
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| A mie czas jic |
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| A młodnik wciąż szumi wspomnieniami... |
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| A monograph on Junosza's art of acting |
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| A może tak być... |
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| A pod Soliną Anonimowość Królowa piwiarni |
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| A powinno to być wstrząsające (Pamięci J. Kukuczki) |
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| A poza tym |
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| A później wnikasz... |
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| A propos du niveau des traductions polonaises des oeuvres litteraires italiennes |
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| A propósito de la recepción americana de la tradición europea : Ezequiel Martínez Estrada y Jorge Luis Borges |
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| [A przecież widzisz, miła moja] |
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| A przecież wiem... |
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| A przecież zostajesz |
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| A przecież żyję... |
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| ...a przed nami dziś ʺHybrydaʺ |
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| A przed wroty kamnień złoty. Dziewczę moje. Gdzie też ty Jaśku pojedziesz? Malewska: Wieś nad łąkami. Olszt. |
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| ʺA przy polskiej pieśni cały świat tańcujeʺ. Jeszcze o związkach polsko-niemieckich w dziedzinie kultury w XVIII wieku |
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| A przynajmniej powinna |
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| A przysięgali (Pamięci E. Stachury Bo o co chodzi.. |
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| A przywódcy jak nie ma, tak nie ma |
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| A puch zapcha im gardła : dramat w czterech aktach |
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| A Puchatek w słońcu pucha, puch, puch, puch! |
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| A puenta musi być |
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| A. Pushkin i sovremennyjj russkijj literaturnyjj jazyk |
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| ʺ...A pycha rośnie i brzuch...ʺ |
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| ʺ...A pycha rośnie i brzuch...ʺ |
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| A Question about Soul (Krzysztof Czyżewski's Conversation with Piotr Cieplak about Theatre, Life and Europe of the End of the XX-th Century) |
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| A Question of Convention |
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| A questionnaire (Some remarks towards a study of novelistic self-consciousness) |
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| A Quietist in New York: Mystical Consciousness in Frank O'Hara's Urban Poems |
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| Á quoi ʺjoueʺ Paul Verlaine dans ʺPoémes saturniensʺ? |
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| A quoi servent les gestes, a quoi servent les mots? Analyse d'actes de communication dans ʺA l'Ouest rien de nouveauʺ d'Erich Maria Remarque |
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| A rankiem wyrzucam... |
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| A rano |
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| A rano w parku |
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| A rano karmiłam się... |
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| A rare Tibetan version of the Aṣṭasāhasrikā Prajñāpāramitāin Mongolia |
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| A razem Przed drogą na Sybir [fragm] |
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| A 'real ghost' or 'true impossibility': the Figure of Belowed in Toni Morrison's Novel ʺBelovedʺ |
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| A rebours. Jesień żółtą gorączką mąci.....Tak, jeśli to twój dom rodzinny. |
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| A recepcao da literatura brasileira na Polonia (Seculos XIX-XX) |
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| A reenactment of Aulis: Hermione within the frame of ʺOrestesʺ |
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| A refutation of ʺA refutation of universal grammarʺ |
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| A regi magyar-feherorosz nyelvi es kulturalis erintkezesek ortenetebol |
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| A reinterpretação do sebastianismo em Fernando Pessoa |
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| A Rejuvenanted Youth Festival |
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| A reka menjaet techenie |
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| A relayed translation : looking for the source text of the first Polish translation of Charlotte Brontë's ʺJane Eyreʺ |
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| A relevance-theoretic perspective on (im)politeness issues in the CB Radio discourse of Polish drivers |
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| A remark on the Old Norse conjunction ʺokʺ |
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| A remark on the Salos Glossing Rules : verb forms |
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| A report of the Joseph Conrad Study Centre's activity in 2002 |
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| A report on the 21th International Conference of The Joseph Conrad Society UK and Henry James Society of America |
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| A report on the current state of the polish theatre |
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| A reportage at the end of the century : European economic journeys of Countess Cecylia Plater-Zyberk in the light of the ʺKronika Rodzinnaʺ (1899) |
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| A reszta jest milczeniem |
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| A retrogressive view of „The second shepherds play”. ZszNWHUGd(FilAng) |
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| A reverse myth or Remarks on a ʺPriapeʺ, a graphic novel by Nicolas Presl |
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| A review of Armenian proverbs from the territory of Iranian Azerbaijan (the Salmast dialect) |
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| A Review of Different Gods |
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| A review of excavations of the Qumran cemetery |
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| A review of Jean Ward's ʺT.S. Eliot w oczach trzech polskich pisarzyʺ |
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| A review of Joanna Burzyńska's ʺTowards a theory of poetic drama. W.B. Yeats, J.M. Synge, S. O'Caseyʺ |
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| A review of ʺKultura i Edukacjaʺ for the years 1992-2006 for Adam Marszałek Publishing House in Toruń |
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| A review of publications on Conrad in Poland in 1997-2000 |
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| A revolutionary read (The publishing underground) |
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| A ręce wyciągają się z prośbą. Braterskie są nasze oddechy. Moje szczęście to miejsce stojące w raju. Ruiny ścian. Sen indiańskiej dziewczynki. Skarżąc się od setek słonecznych lat. NEUMANN SIEGFRIED ARNIM 11303. P: Świniarek i księżniczka. NIETZSCHE FRIEDRICH WILHELM 11304. Klub Otrycki Komisji Kształcenia i Edyp Nietzschego. |
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| A ręki gest Chodź na |
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| A rhetoric of a medieval morality play. An exercise in literary linguistics |
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| A rhetoric of novelty : cyberpunk and academia |
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| A risk-taker |
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| A risk-taker |
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| A road-side dog [z tego cyklu:] A road-side dog |
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| A road-side dog [z tego cyklu:] Pelicans |
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| A road-side dog [z tego cyklu:] Tropics |
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| A road-side dog [z tego cyklu:] Yokimura |
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| A rock and roll fantasy : w. |
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| A romantic with a oprain of irony |
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| A rose for Eurydice: the nocturne and melancholia in William Faulkner's ʺPantaloon in blackʺ and ʺA rose for Emilyʺ |
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| A Rose in a Block of Ice |
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| A rozpostrze nam bez obawy (B. Sadowskiej) BEAULIEU RENÉ, BEAULIEU CLAUDE |
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| A Russian rulette. Partisan Review (Nowy Jork) nr 1 [inf. wł.] |
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| ...A ryby wiją swoje gniazda |
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| A rzeka zmienia swój bieg |
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| A rzepak tak pięknie obrodził... |
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| [A Rzym] |
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| A S |
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| A sacral and mythical landscape : the Crimea in the East European context |
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| A safe space for the Shah and his women : the practice of quruq in the Safavid period |
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| A saga of national survival |
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| ʺA sama poezja? Cóż, w duszach wrażliwych na pewno wytrzyma próbę czasu...ʺ |
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| A sample contrastive analysis of ʺThe Blue Hotelʺ by Stephen Crane and ʺThe Nigger of the 'Narcissusʺ by Joseph Conrad |
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| A sample contrastive analysis of ʺThe Blue Hotelʺ by Stephen Crane and ʺThe Nigger of the 'Narcissusʺ by Joseph Conrad |
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| A są jeszcze... |
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| A są jeszcze we mnie... |
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| A. Sch. Typus der neuen Prosaform anhand „Aus dem Leben eines Fauns”. SCHNEIDER DIETHARDT 11334. Sylwester w biurze - czyli tak trzymać. SCHWARZ KLAUS-PETER 11335. W: Telewizja SEGHERS ANNA właśc. nazw. Radvanyi Netty 11336. |
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| A Schiller patrzy... |
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| A. Schnitzler ʺProfessor Bernhardiʺ und F. Wolfs ʺProfessor Mamlockʺ - eine Tragoedie der westlichen Demokratie |
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| A. Schnitzler ʺProfessor Bernhardiʺ und F. Wolfs ʺProfessor Mamlockʺ - eine Tragoedie der westlichen Demokratie |
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