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| 50 lat od debiutu cenionego podlaskiego poety. |
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| 76. Sonet Fermata |
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| 7966817481778178831383728473 8574 8601860686838708899491459253 |
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| A czytaliście Gombrowicza? |
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| A day in the seventies - an analysis of musical allusions and references in ʺThe Buddha of suburbiaʺ by Hanif Kureishiʺ |
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| A decade of compulsory silence : censorship of Edvard Kocbek's literature after his forced retirement = Dekada przymusowej ciszy : cenzura literatury Edvarda Kocbka po jego przymusowej emeryturze |
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| A detective in a world of illusions : stereotypes and the narrative voice in ʺMurder is Easyʺ by Agatha Christie |
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| A diachronic perspective on the changing roles of English as a medium of instruction |
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| A dialektikus bölcs. Tájékoztató (Węgry) |
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| A dialogue between Nin and de Beauvoir |
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| A dialogue between Nin and de Beauvoir |
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| A difficoult presence |
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| A Dio Witelonie |
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| A discontinuation or a preservation of the (old) Belarusian writing tradition in the 18th Century? : contributions to the discussion on the development of the literary Belarusian language as applied to publications of the Basilian Printing Offices in Supraśl and Vilnius |
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| A discourse on human rights and civil rights and liberties in Muslim-majority societies : higlights of a widely diverse debate |
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| A discussion of Roman Jacobsonʼs semiotic theory of language functions and its alternative. |
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| A dlaczego A dlatego Śwr 314 |
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| A do Lwowa daleko - że strach... |
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| A dobre słowa... |
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| ʺA dobrze mu takʺ |
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| A dokąd? A dokąd? |
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| A dokąd? A dokąd? |
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| ʺA dokąd teraz?ʺ : problematyka obozowa w perspektywie jugosłowiańskiej : przypadek Elviry Kohn |
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| A domestic space : the Central and Eastern Carpathians in the Polish tourist and local lore discourse, 1918-1939 |
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| „A Dorio ad |
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| „A Dorio ad |
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| „A Dorio ad Phrygian” Norwida i „apollińskie” wiersze H. (Paralele) Wyobraźnia poetycka Norwida. |
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| ...A dotyk wiersza jest dotykiem pieśni |
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| A double check on the double in Jackie Kay's ʺTrumpetʺ |
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| A Draft of a Polish Conrad Letter in the manuscript of ʺAlmayers Follyʺ |
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| A drewniane baraki... |
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| ...a droga wiodła przez Łódź [ks. wspomn., fragm.:] Nauka życia w drukarni |
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| A duch jego był napięty jak łuk |
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| A duchów przychodzi wiele |
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| A duchów przychodzi wiele |
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| A duree |
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| À durée ; Rozpada się rozpada ; A teraz à rebours! ; I sen à rebours ; Trwanie ; Odpadam ; Rzeczy małe w przededniu lata |
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| A dusza jest na Wschodzie |
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| A dusza płynie |
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| ʺA dusza wciąż dostada ptakówʺ, czyli poetyckie światy Krystyny Lenkowskiej |
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| [A dusza wraca na ruiny własne] |
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| [A dusze niech pochłoną anielskie skrzydła białe hostie na językach Ducha] |
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| „A duszę twoją przeniknie miecz...ʺ. |
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| A Dutch prayer ʺBook with the hoursʺ of Geert Grote from the University Library of the John Paul II Catholic University of Lublin (BU KUL, Lublin, Ms. 2626) |
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| A dystopia in c-minor. |
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| A dziadek szedł... |
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| A dziadkowi brakowało tu tramwajów... |
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| A dzień był taki biały |
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| A dziń dobry gospodarzu... |
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| A dzisiaj rano |
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| A dziś |
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| [A dziś na stołecznym cmentarzu Bródnowskim] |
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| ʺA dźwięki naszych bębnów rozpętują nawałnicę istnieniaʺ, czyli Wystawa która się odbyła... |
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| A emergência do sujeito político em ʺLevantado do chãoʺ de José Saramago : uma perspetiva rancieriana |
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| A esli dazhe |
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| A esli zavtra net (est')? : vospriâtie geroem buduŝego v belorusskoj dramaturgii konca XX - načala XXI vv. |
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| A European and Polish Reformer |
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| A European and Polish Reformer |
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| A European and Polish Reformer |
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| A European and Polish Reformer |
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| A European and Polish Reformer |
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| A European and Polish Reformer |
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| A European and Polish Reformer |
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| A Fatimai Szuzanyahoz |
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| A fe Fo! |
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| A feast for our time : on eating and drinking in Michel Houellebecq's novels |
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| A feature-based analysis of the syntax of the clause-initial discourse particle ʺbediʺ in North Hail Arabic |
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| A fehérorosz irodalom tapintatos távolléte |
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| A female peon and the state of war in Thomas Middleton's ʺA Game at Chessʺ |
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| A Feminist Reading of ʺSurfacingʺ by Margaret Atwood |
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| ʺA ferry's taleʺ |
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| A few aspects of well-known Athenian ʺisonomiaʺ in Ancient Greece and its opposition to the profession of a logographer |
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| A few intuitive remarks regarding poetry |
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| A few notes on Hannibal in Silius Italicus's ʺPunicaʺ |
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| A few notes on William H. Gass. |
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| A few preliminary remarks. |
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| A few reflections upon the place and awareness of translation studies in Polish academic enviroment : the case study |
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| A few remarks on ʺfreeʺ drama that will or will not come |
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| A few remarks on the categorisation of some selected literary terms |
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| A few words on the Sisinnios-type of Gello story |
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| A figure in the carpet. F. „The wild palms”. AmSt FITZGERALD FRANCIS SCOTT KEY |
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| A film adaptation of Stephen King's novella ʺRita Hayworth and Shawshank Redemptionʺ (1982) as an example of a multimodal translation pattern |
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| ...A film się sprzedaje |
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| A fine line |
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| A fine or a bad bromance? |
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| A flight before light: some remarks on Levinas' phenomenology of Eros |
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| A floating homeland : (de)constructing Canadiennes from the insider-outsider perspective of Japanese-Canadians |
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| A flupy runą, runą, runą... |
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| A folio from the Berlin State Library : additional remarks on the history of the Mongolian Kanjur |
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| A footnote to reality, a postscript to realism: the cinematic and the Postmodern in William Gaddis ʺCarpenter's Gothicʺ |
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| A forgotten interpreter of Conrad |
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| A formal analysis of the culinary recipe : Middle English vs. Anglo-Norman |
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| A fortiori arguments in halachic give-and-take conversations in the Mishnah and Tosefta |
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| A fragile (dis)position - the (ab)uses of ʺfeminine diseasesʺ in Southern patriarchal ideology |
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| A Fragment of a Fabricated Self-Portrait |
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| A Fresh Air Festival (Street theater) |
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| A full moon in March. Yeatsian methods of expressing an archetypal situation in „A full moon in March”. |
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| A Funeral Rhapsody in Memory of General Bem = Bema pamięci żałobny - rapsod |
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| A Futurological Note Prus on H.G. Wells and the Year 2000 |
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| A Futurological Note Prus on H.G. Wells and the Year 2000 |
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